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Q: How does this piece fit within your larger body of work?

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Q: Tell us about your piece.

A: You do a lot of site visits, measuring, getting schematics from the crew here who have been just amazing getting measurements and really just putting yourself into this space. Taking lots of pictures. It's hard to just go from photographs you have to see the space.

unproductive.

Her hometown continues to inform her work, including in her new installation "From One Home to Another," which is part of a show opening tonight at Nicolaysen Art Museum in downtown Casper. The show, "The Nature of Things" features installations from Carlisle, Suzanne Morlock and Gerri Sayler, who all produced work related to the environment around them. The three artists spent the week before the show building the installations on site a relative rarity in Wyoming.

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YOU SHOUTED YOUR COMMENT IN ALL CAPS. This is hard to read and annoys readers.

Ashley Hope Carlisle had lived in Laramie for two years when Hurricane Katrina slammed into her hometown of New Orleans.

of civility in this forum. Our comment policy explains the rules of the road for registered commenters.

University of Wyoming artist explores relationship to home in new show at Nicolaysen

home ever in Laramie and it was a wildflower shop at one time. I was trying to figure out ways to deal with being displaced from New Orleans when all of this was happening and so, Nike Huarache Brown my sanctuary was my garden. The plants here are so different than those back home that I just started really looking at the seeds that were being kind of thrown (by the wind). And one thing that is a common connection between New Orleans and Wyoming is the wind. Of course, the winds here, if we had winds like this sometimes back home it would mean a hurricane was coming (laughs.) But that's very prominent. The wind was very important to me and my work. And so I maybe started to see these seeds thrown off by the wind and being carried to somewhere new, to propagate somewhere new, and that's where it really stemmed from.

You called someone an idiot, a racist, a dope, a moron, etc. Please, no name calling or profanity (or veiled profanity $%^ rambled, failed to stay on topic or exhibited troll like behavior intended to hijack the discussion at hand.

The seed work has been a mainstay in my sculpture making, in my drawing practices, since 2005 when Katrina hit There are all kind of changes that we're asked to make as humans. These transitions. For me, it's just an ongoing conversation. It's not important that you know that this came necessarily from Hurricane Katrina, or I'm from New Orleans, it's that you can look at the piece, and as the viewer, you can take something from it that can connect to your life in some way, shape or form. Installation for me is almost like a set of a play, that I'm setting up this scene and then you come in and hopefully can place yourself somewhere in this scene. Passionate views, pointed criticism and critical thinking are welcome. Name calling, crude language and personal abuse are not welcome. Moderators will monitor comments with an eye toward maintaining a high level Huarache Ultra Breathe On Feet

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The artist and University of Wyoming professor couldn't leave to help the beleaguered city of her youth. She began questioning herself. In the face of so much destruction, creating art seemed silly and Nike Huarache Women Pink

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If your comment was not approved, perhaps.

Nike Huarache Brown

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Nike Huarache Brown

The Star Tribune spoke with Carlisle, who oversees the UW sculpture program, as she prepared her installation earlier this week.

Q: How do you prepare for a site specific show like this one?

A: When Hurricane Katrina happened, we had bought our first Nike Air Huarache Run Ultra Breathable – Black

A: This is probably the most autobiographical piece I've ever made. It starts off with an iron gate that I built, that really for me really represents New Orleans. And then it follows through with these seeds that each have doors and windows so that you as a viewer can imagine shrinking, almost like taking Alice in Wonderland's potion to shrink down, and being taken by the wind to another place. There is a road at the end of it that was created in the Red Desert that just keeps going on and on and on.

Q: Why do seeds play such a prominent role in your work?

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