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Director Mark Harris quite rightly takes a brisk approach to the dialogue and clears the way for the songs to speak for themselves.
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To be honest it's not much of a musical a collection of simplistic clichs masquerading as a plot, suggesting that Ben Elton was working on auto pilot in a very short tea break when he came up with this excuse for a story.
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They're all here Killer Queen, Under Pressure, I Want to Break Free, Don't Stop Me Now and many others, every one delivered with the sort of all stops out dynamism that's exhausting to watch.
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The audience loves every minute of it, matching the volume on stage with their own cheers as the night reaches its climax.
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But that hardly matters for what little narrative there is amounts to no more than something to hold together a selection of Queen standards and anthems which is all both cast and audience are there for!
Choreography by Tom and Louise Goodhill is effective and vibrant, while Hugh Finnegan's musical direction makes the most of a band that knows how to tackle the Queen classics.
James Parkin knows he has his dream role as futuristic underground rocker Galileo, perfectly matched by Abigail Weigold's feisty, gutsy Scaramouche.
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One word of warning howeverthis show could seriously damage your hearing!
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voices in South Yorkshire are gathered on a stage that can barely contain a level of exuberance that spills out into the auditorium.
energy and electrifying enthusiasm as Splinters Theatre Group find the show that perfectly suits their outstanding array of young talent.
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It's a battle for the strongest vocals throughout, though, especially when you get powerhouses like Louise Radcliffe, Kate Newey and Phil Probert all seizing their moment in the spotlight.
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